【觀後感】《鄧寇克大行動 IMAX 2D》：戰場上的美學

<div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWuUcKYl-nfEekqVuKYDwVucSPrDa7e7QqiPbTHCsIZ7rA6zVOCOgAcMsYcgMUmpnwf2MP83sX6Kz-3_FqO06nrioGh1TDNseim3A3lP1LAoegmFnVwrKNIGbsb4yF9ByP9H-SXlR8KYc/s1600/Dunkirk+cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="338" data-original-width="600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWuUcKYl-nfEekqVuKYDwVucSPrDa7e7QqiPbTHCsIZ7rA6zVOCOgAcMsYcgMUmpnwf2MP83sX6Kz-3_FqO06nrioGh1TDNseim3A3lP1LAoegmFnVwrKNIGbsb4yF9ByP9H-SXlR8KYc/s1600/Dunkirk+cover.jpg" /></a></div> <br /> <span style="font-family: "verdana" , sans-serif;">曾說過不下數十次，對一套電影的評價是與個人預期及主觀切入點有關。打從媒體報導看到諾蘭 (Christopher Nolan) 要開拍一套以第二次世界大戰為背景的電影時，大家或多或少也以為會跟《Saving Private Ryan》或《<a href="https://mind2wild.blogspot.hk/2016/12/hacksaw-ridge.html" target="_blank">Hacksaw Ridge</a>》有著宏大壯觀的爆炸場面。</span><br /> <script async="" src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <br /> <ins class="adsbygoogle" data-ad-client="ca-pub-0789498629362789" data-ad-format="fluid" data-ad-layout-key="-8m+29-fg+cx+nu" data-ad-layout="image-top" data-ad-slot="4621523837" style="display: block;"></ins><script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> <span style="font-family: "verdana" , sans-serif;"><br /></span> <span style="font-family: "verdana" , sans-serif;">然而電影上映後，雖有著絕大部份的好評，有的更說是神作，但仍然聽到不少人說本片沒劇情、沒有濺血、音效經常突然放大、又亂玩時間軸等等等等。這一切說起來都只是藝術派與娛樂派之爭，實質是各人預期不同，</span><span style="font-family: "verdana" , sans-serif;">且看看大家入場時是抱哪個角度來觀賞罷了。</span><br /> <span style="font-family: "verdana" , sans-serif;"><br /></span> <br /> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQe2w32I_nnlTwizABatU9lmd5HcddqefR0rPXK8pcZA4yKAtOVFRKzsMwGR5MfrFmzO8Gkh_H0hj6_tq_ffT_Ll7p8TEQ-lYQdf_UKlWTbsEx0BBSqT6qW-J3vhnS6Fj2zRDyMVo899U/s1600/Dunkirk-6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="251" data-original-width="600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQe2w32I_nnlTwizABatU9lmd5HcddqefR0rPXK8pcZA4yKAtOVFRKzsMwGR5MfrFmzO8Gkh_H0hj6_tq_ffT_Ll7p8TEQ-lYQdf_UKlWTbsEx0BBSqT6qW-J3vhnS6Fj2zRDyMVo899U/s1600/Dunkirk-6.jpg" /></a></div> <br /> <span style="font-family: "verdana" , sans-serif;"><span style="font-family: "verdana" , sans-serif;">《鄧寇克大行動》在劇本上只得76頁，相比一般常規電影少了一半，而且亦沒有深度鈎劃人物角色的性格與背景，</span>從娛樂角度來看<span style="font-family: "verdana" , sans-serif;">當然沒</span>《雷霆救兵》及《鋼鐵英雄》般豐富吸引。</span><br /> <span style="font-family: "verdana" , sans-serif;"><br /></span> <span style="font-family: "verdana" , sans-serif;">不過我們應該要先了解一下電影的核心思想，<span style="font-family: "verdana" , sans-serif;">諾蘭想說的不在於戰事如何轟烈 (如</span>雷霆救兵)<span style="font-family: "verdana" , sans-serif;">、亦不是要紀錄某一軍人在戰事中的戰績或英勇行為 (如《</span>鋼鐵英雄》)<span style="font-family: "verdana" , sans-serif;">，而是</span><span style="font-family: "verdana" , sans-serif;">描繪撤兵的情況、</span>士兵在戰敗中的恐慌與無助感！只要了解他是以電影為載體來表達思想，我們便懂得從藝術方面重新檢閱這部作品。</span><br /> <script async="" src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- M2W－Text－Image-Dunkirk --> <br /> <ins class="adsbygoogle" data-ad-client="ca-pub-0789498629362789" data-ad-slot="3305051665" style="display: inline-block; height: 250px; width: 300px;"></ins><script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> <span style="font-family: "verdana" , sans-serif;"><br /></span> <span style="font-family: "verdana" , sans-serif;">它不僅保留諾蘭貫常的作風 ─ </span><span style="font-family: "verdana" , sans-serif;">以影像來說故事</span><span style="font-family: "verdana" , sans-serif;">，同時帶出永不放棄、愛國、人性本善的訊息。</span><span style="font-family: "verdana" , sans-serif;">在於小編來說，我十分欣賞這部戲的美學、涵意與電影結構的複雜度，卻在緊張刺激度未如我所喜愛的《黑鷹十五小時》、《戰逆豪情》、《<a href="https://mind2wild.blogspot.hk/2015/07/1313-hours-secret-soldiers-of-benghazi.html" target="_blank">13小時：班加西無名英雄</a>》，所以我說沒一絲失望便是騙你的</span><span style="font-family: "verdana" , sans-serif;">。</span><br /> <div> <span style="font-family: "verdana" , sans-serif;"><br /></span></div> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDd3OtFAz5F85BHqAKY3BDGCAmTydJDeoa0yJ3aB_MStRRsen32NDRIzAWWzi-YpUnj184SrDK6T9VAADg2WzxRqoYv-CkixEsbYjQHyfjhYWlu2U57vR1GxnFejaYCTDlttRVpe264Cw/s1600/Dunkirk-2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDd3OtFAz5F85BHqAKY3BDGCAmTydJDeoa0yJ3aB_MStRRsen32NDRIzAWWzi-YpUnj184SrDK6T9VAADg2WzxRqoYv-CkixEsbYjQHyfjhYWlu2U57vR1GxnFejaYCTDlttRVpe264Cw/s1600/Dunkirk-2.jpg" /></a></div> <span style="font-family: "verdana" , sans-serif;"><br /></span> <br /> <div style="-webkit-text-stroke-width: 0px; color: black; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; font-weight: normal; letter-spacing: normal; margin: 0px; orphans: 2; text-align: start; text-decoration-color: initial; text-decoration-style: initial; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"> <span style="font-family: "verdana" , sans-serif; font-size: large;"><b>人物與對白</b></span></div> <div style="-webkit-text-stroke-width: 0px; color: black; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; font-weight: normal; letter-spacing: normal; margin: 0px; orphans: 2; text-align: start; text-decoration-color: initial; text-decoration-style: initial; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"> <span style="font-family: "verdana" , sans-serif;"><b><br /></b></span></div> <span style="font-family: "verdana" , sans-serif;">雖然從人物上，我們看不到讓人激昂的情節，但從精簡的對白與不同角色的行為與反應已充份回應電影背後的訊息。譬如從Dawson父子的行逕已足夠表達市民對</span><span style="font-family: "verdana" , sans-serif;">撤兵</span><span style="font-family: "verdana" , sans-serif;">的看法與愛國之心；從患有的創傷後壓力症候群的士兵 (Cillian Murphy 飾)的驚恐，已呈現爭戰所帶來的後遺症；從Tommy、Alex、Gilbson三位大兵不惜任何方法也要登船離開，就算登船後也要尋找逃生出口的舉動，也是展現著第一身的恐懼與焦慮；從空軍Farrier (Tom Hardy 飾) 在缺乏燃料之下，寧願作出犠牲仍然要擊落德軍的情況下，展現人性的善良。</span><br /> <span style="font-family: "verdana" , sans-serif;"><br /></span> <span style="font-family: "verdana" , sans-serif;">而小編最為之喜愛的情節，便是戰線後方派發毛毯的盲眼老人與士兵之間的對話：</span><br /> <blockquote class="tr_bq"> <span style="font-family: "verdana" , sans-serif;">Old man: 「Well done, lads. Well done. 」</span></blockquote> <blockquote class="tr_bq"> <span style="font-family: "verdana" , sans-serif;">Soldier: 「All we did was survive. 」</span></blockquote> <blockquote class="tr_bq"> <span style="font-family: "verdana" , sans-serif;">Old man: 「That’s enough.」</span></blockquote> <span style="font-family: "verdana" , sans-serif;"></span><br /> <span style="font-family: "verdana" , sans-serif;">簡單的對白已涵蓋「活著便是勝利」的意思，亦看出西方人對戰敗所抱著的正面態度！(換著中國古代，我想那些統領將軍早就被問斬了吧！)</span><br /> <div> <span style="font-family: "verdana" , sans-serif;"><br /></span> <br /> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyOXy2sJ_FB8yOGHhaeI48PrZOaE2k-LMzhYrNhktIRFvJRcGcVzt3L-3Tj8k2gOueOJTLjst2MoRzmUMFhdhY54DSlfpV95T6NTvB3TVnsjsJnDomNH5L8EvxBMDf0XNjfT-yPNAQZmU/s1600/Dunkirk-3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="444" data-original-width="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyOXy2sJ_FB8yOGHhaeI48PrZOaE2k-LMzhYrNhktIRFvJRcGcVzt3L-3Tj8k2gOueOJTLjst2MoRzmUMFhdhY54DSlfpV95T6NTvB3TVnsjsJnDomNH5L8EvxBMDf0XNjfT-yPNAQZmU/s1600/Dunkirk-3.jpg" /></a></div> <span style="font-family: "verdana" , sans-serif;"><br /></span></div> <div class="separator" style="clear: both; text-align: center;"> </div> <b style="font-family: verdana, sans-serif;"><span style="font-size: large;">畫面與時空</span></b><br /> <span style="font-family: "verdana" , sans-serif;"><br /></span> <span style="font-family: "verdana" , sans-serif;">諾蘭善於以影像來說故事，同時亦善長把弄倒敍順序、非線式與多線敘事來鋪展劇情，</span><span style="font-family: "verdana" , sans-serif;">從《凶心人 / Memento》、《蝙蝠俠黑暗騎士三部曲 / The Dark Knight Trilogy》</span><span style="font-family: "verdana" , sans-serif;">、《</span><span style="font-family: "verdana" , sans-serif;">潛行兇間 </span><span style="font-family: "verdana" , sans-serif;">/ Inception</span><span style="font-family: "verdana" , sans-serif;">》</span><span style="font-family: "verdana" , sans-serif;">、</span><span style="font-family: "verdana" , sans-serif;">《<a href="http://lifestyle.fanpiece.com/mind2wild/%E5%BD%B1%E8%A9%95-%E9%9A%94%E4%BD%8F%E5%80%8B%E8%9E%A2%E5%B9%95%E9%83%BD-feel-%E5%88%B0%E9%9C%87%E6%92%BC%E7%9A%84-%E6%98%9F%E9%9A%9B%E5%95%9F%E7%A4%BA%E9%8C%84-Interstellar-c1151421.html" target="_blank">星際啟示錄 /</a></span><a href="https://mind2wild.blogspot.hk/2014/11/feel-interstellar.html" style="font-family: Verdana, sans-serif;" target="_blank">星際啟示錄 /Interstellar</a><span style="font-family: "verdana" , sans-serif;">》在電影用色上與畫面呈現方法</span><span style="font-family: "verdana" , sans-serif;">全都</span><span style="font-family: "verdana" , sans-serif;">充滿藝術氣色，</span><span style="font-family: "verdana" , sans-serif;"> 而且統統都</span><span style="font-family: "verdana" , sans-serif;">能透過影像將</span><span style="font-family: "verdana" , sans-serif;">虛無縹緲如哲學、科學概念、時間與記憶理念一一具體呈現出來。</span><br /> <span style="font-family: "verdana" , sans-serif;"><br /></span> <br /> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7cO-YR-rru1uW08xA6lXTCm_5hnFC4QzGHBnnys7KGpom0EeXuTDmoPLER39-YZAV2z6tIKeb3M_WatnbrG80Dunx6OqF7ONKb6bfgfGoUkFVecrQaXTO7-cbmZbAStZ9PIdytpJbRwc/s1600/Dunkirk-Tom+Hardy.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="264" data-original-width="600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7cO-YR-rru1uW08xA6lXTCm_5hnFC4QzGHBnnys7KGpom0EeXuTDmoPLER39-YZAV2z6tIKeb3M_WatnbrG80Dunx6OqF7ONKb6bfgfGoUkFVecrQaXTO7-cbmZbAStZ9PIdytpJbRwc/s1600/Dunkirk-Tom+Hardy.png" /></a></div> <span style="font-family: "verdana" , sans-serif;"><br /></span><span style="font-family: "verdana" , sans-serif;">今次《鄧》同樣大玩非線式敍事手法，以海、陸、空三條不同時間線</span><span style="font-family: "verdana" , sans-serif;">交錯穿插來鋪述整個</span><span style="font-family: "verdana" , sans-serif;">撤兵</span><span style="font-family: "verdana" , sans-serif;">的情況。由於三線的時間差距甚大 </span><span style="font-family: "verdana" , sans-serif;">(The mole - one week , The sea - one day, The Air - one hour) </span><span style="font-family: "verdana" , sans-serif;">，</span><span style="font-family: "verdana" , sans-serif;">卻要</span><span style="font-family: "verdana" , sans-serif;">壓縮在同一時間軸之上，</span><span style="font-family: "verdana" , sans-serif;">所以時間軸都以環</span><span style="font-family: "verdana" , sans-serif;">形方式展現，因此每每完成交代防波堤上或船上的事件，空中時間軸所發生的事好像又再</span><span style="font-family: "verdana" , sans-serif;">重複一遍，這樣</span><span style="font-family: "verdana" , sans-serif;">容易使觀眾覺得混亂。其實只要細心一點或重看一次，便會看清這種表面看似平鋪直敍卻又十分複雜的</span><span style="font-family: "verdana" , sans-serif;">敍事手法。</span><br /> <span style="font-family: "verdana" , sans-serif;"><br /></span> <br /> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhve0ac8G9EUFpE73a2JdW-s6GaVJrVkmCco_SUbN9lDRqwOopp9rsUaJ3yw-ewj9UVJwV82qkFly-XzY2rxMRLaWBiUEyLfR-2XrGva13kl1icjaqVsnm-PFbrrx81PQSeP1VGqJ7YKPo/s1600/Dunkirk-4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="338" data-original-width="600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhve0ac8G9EUFpE73a2JdW-s6GaVJrVkmCco_SUbN9lDRqwOopp9rsUaJ3yw-ewj9UVJwV82qkFly-XzY2rxMRLaWBiUEyLfR-2XrGva13kl1icjaqVsnm-PFbrrx81PQSeP1VGqJ7YKPo/s1600/Dunkirk-4.jpg" /></a></div> <br /> <span style="font-family: "verdana" , sans-serif;">至於畫面上，</span><span style="background-color: white; color: #444444; font-family: "verdana" , sans-serif;">IMAX 菲林能打造廣闊的空間感，在</span><span style="background-color: white; color: #444444; font-family: "verdana" , sans-serif;">遠鏡之下，空中上的戰機、海灘上的士兵、海上的船隻統統顯得渺小、</span><span style="background-color: white; color: #444444; font-family: "verdana" , sans-serif;">孤立、</span><span style="background-color: white; color: #444444; font-family: "verdana" , sans-serif;">無助，</span><span style="background-color: white; font-family: "verdana" , sans-serif;">而</span><span style="background-color: white; color: #444444; font-family: "verdana" , sans-serif;">在近鏡之下，</span><span style="background-color: white; color: #444444; font-family: "verdana" , sans-serif;">透過</span><span style="background-color: white; color: #444444; font-family: "verdana" , sans-serif;">大兵Tommy、Alex及Gibson 呆坐海灘的畫面，來延伸地面上的度日如年之感，這</span><span style="background-color: white; color: #444444; font-family: "verdana" , sans-serif;">正正達到諾蘭想表</span><span style="background-color: white; font-family: "verdana" , sans-serif;">達的思想。既然導演所想所感都被具現化出來，那麼縱然有人不認同是神作，但也算是極好的一件藝術品！</span><br /> <br /> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJzEiXgjibzyM1XHiqMaT2RgKm01nSgCOdgAbBblNAgGY01hGdHT7XZxHbcve3xqNjMt6tYtv-UX_mKqEVG8QUbKs9VvI-x5rhkleoCkQRRyBMcYvuG6HM9R4WuNnW8AqAHW029OHPGTg/s1600/Dunkirk-5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="356" data-original-width="600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJzEiXgjibzyM1XHiqMaT2RgKm01nSgCOdgAbBblNAgGY01hGdHT7XZxHbcve3xqNjMt6tYtv-UX_mKqEVG8QUbKs9VvI-x5rhkleoCkQRRyBMcYvuG6HM9R4WuNnW8AqAHW029OHPGTg/s1600/Dunkirk-5.jpg" /></a></div> <div style="text-align: center;"> <span style="font-family: "verdana" , sans-serif;"><span lang="EN-US" style="font-family: "arial" , sans-serif; font-size: 13.5pt;">►前影疏落，</span></span><span style="font-family: "arial" , sans-serif; font-size: 18px;">後景密集，</span><span style="font-family: "arial" , sans-serif;"><span style="font-size: 18px;">構圖精美且有著</span></span><span style="font-family: "arial" , sans-serif; font-size: 18px;">強烈對比</span><span style="font-family: "arial" , sans-serif; font-size: 18px;">。</span></div> <div style="text-align: center;"> <br /></div> <span style="font-family: "verdana" , sans-serif;"><span style="font-family: "verdana" , sans-serif;"><span style="background-color: white; color: #444444;">總括來說，這套非一般的戰爭片未必乎合所有觀眾的預期，但絕不能否定它的藝術價值！小編個人</span></span></span><span style="background-color: white; color: #444444; font-family: "verdana" , sans-serif;">極度</span><span style="background-color: white; color: #444444; font-family: "verdana" , sans-serif;">推薦看過</span><span style="background-color: white; color: #444444; font-family: "verdana" , sans-serif;">劇透後才進場，<span style="color: #1d2129; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 15px; white-space: pre-wrap;">而且</span>必定要看IMAX版，</span><span style="background-color: white; color: #444444; font-family: "verdana" , sans-serif;">才能有到更好的觀感體驗</span><span style="background-color: white; color: #444444; font-family: "verdana" , sans-serif;">！</span><br /> <span style="font-family: "verdana" , sans-serif;"><br /></span> <span style="font-family: "verdana" , sans-serif;"> <span style="font-family: "verdana" , sans-serif;">電影爽度：5/10</span></span><br /> <span style="font-family: "verdana" , sans-serif;">敍事手法：9/10</span><br /> <span style="font-family: "verdana" , sans-serif;">電影美學：10/10</span><br /> <span style="font-family: "verdana" , sans-serif;">演技表現：8/10 </span><br /> <span style="font-family: "verdana" , sans-serif;">題材鮮度：7/10</span><br /> <span style="font-family: "verdana" , sans-serif;"><span style="font-family: "verdana" , sans-serif;"><br /></span><span style="font-family: "verdana" , sans-serif;"><b>整體評分：78/100 </b></span></span><br /> <span style="font-family: "verdana" , sans-serif;"><span style="font-family: "verdana" , sans-serif;"><br /></span> </span><br /> <div data-mce-style="text-align: center;" style="text-align: center;"> <div class="p1"> <div data-mce-style="margin: 0px;"> <div style="text-align: start;"> <div data-mce-style="margin: 0px;" style="margin: 0px;"> <div data-mce-style="text-align: center;"> <div class="p1"> <div data-mce-style="margin: 0px;"> <div style="text-align: center;"> <span style="color: blue; font-family: "verdana" , sans-serif;"><span style="font-family: "verdana" , sans-serif;"><span class="s1"><span data-mce-style="color: #0000ff;" style="font-family: "verdana" , sans-serif;"><strong style="color: blue;"><span style="background-color: white;">▼</span>想知更多電影相關資訊、影評，請Like/讚好我的Facebook 專頁</strong></span></span></span><span style="background-color: white;">▼</span></span><br /> <span style="font-family: "verdana" , sans-serif;"><span style="font-family: "verdana" , sans-serif;"><span class="s1"><span data-mce-style="color: #0000ff;" style="font-family: "verdana" , sans-serif;"><strong>【Facebook 專頁 】<span style="color: blue;">: </span></strong></span></span><span style="color: #3b5998; font-family: "verdana" , sans-serif;"><b><a href="http://www.facebook.com/Mind2Wild" target="_blank">莎包 Mind Too Wild電影誌</a></b></span></span></span></div> </div> </div> </div> </div> </div> </div> </div> </div> <div style="color: #1d2129; line-height: 20.7px; text-align: center;"> <span style="font-family: "verdana" , sans-serif;"><br /></span></div> <div style="text-align: center;"> <div style="text-align: start;"> <div data-mce-style="margin: 0px;" style="margin: 0px;"> <div data-mce-style="text-align: center;"> <div data-mce-style="margin: 0px;"> <div style="text-align: center;"> <span style="font-family: "verdana" , sans-serif;"><img alt="" class="img" data-mce-src="https://badge.facebook.com/badge/460216734060647.1840.874895740.png" data-mce-style="cursor: move; 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分析 克里斯多福諾蘭 美學 第二次世界大戰 敦克爾克大行動 劇情 影評 鄧寇克大行動 戰爭片 歷史 點評 觀後感 Christopher Nolan crazy about movie Dunkirk 【觀後感】《鄧寇克大行動 IMAX 2D》：戰場上的美學

曾說過不下數十次，對一套電影的評價是與個人預期及主觀切入點有關。打從媒體報導看到諾蘭 (Christopher Nolan) 要開拍一套以第二次世界大戰為背景的電影時，大家或多或少也以為會跟《Saving Private Ryan》或《 Hacksaw Ridge 》有著宏...

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